Saturday, November 16, 2019

Psychological Effects of Combat

Psychological Effects of Combat PSYCHOLOGY OF A FIGHTING MAN INTRODUCTION Movies make the business of fighting and war effortless and uncomplicated. They make us believe that soldiers are some sort of killing machines. The reasons for killing may be many; because they are told, if they don’t kill they will die, the enemy is a threat to enduring peace and so on. The movies make us believe that a soldier fires to hit and kill each other. While this holds some truth, a deeper study is needed to understand the psychology behind the actions of these fighting men. Talking about the psychology of a fighting man is like virgins talking about sex. Days can be spent discussing it and the mechanics involved can be fully understood. However, you cannot be absolutely sure that the man who understood the mechanics behind the psychology will behave as expected, when he is faced with a combat situation. That is because when bullets and shells start zipping past, the emotions and Adrenaline start running high and that will affect how a fighting man sees things in the battlefield. During warlike situations, every soldier sees things different from another soldier. AIM The aim of this paper is to understand the psychology of a fighting man, the factors affecting his desire to kill on the battlefield and how it affects his mind and behavior. The paper also intends to cover the psychiatric effects of combat on a soldier and offer possible solutions. THE BEHAVIOURAL PATTERN Behaviour During Combat When it comes to combat situations, behavior of the animal species can be classified into four stages, Posture, Fight, Flight or Submit. Also, animals do not generally kill others of their species, except with very few exceptions. In this regard, human beings are like animals in our behavior, especially in a combat situation. When animals fight, they do not directly get to a physical fight. The start posturing to intimidate the enemy. Humans are not much different. Rifles, artillery guns and tanks provide perfect tools for posturing. They are dangerous, they are loud. Shells and bullets zooming past overhead can be terrifying any man on earth. The shooter gets a feeling of power and the act provides a primal release to him. Posturing also form part of combat tactics. It is said that in Vietnam War, only one out of 52000 shots fired scored a hit[1]. Were the Americans that bad at shooting? No, in fact they were very superior in posturing. However, when the time came to aim at the VietCong, the Yankee preferred to posture, rather than to kill. This does not mean the whole aim is not to kill, but to scare the enemy by posturing. There will be a few whose sole aim is to increase the use of body bags by the other side, whatever maybe their motivation. They are like that one percent of fighter pilots who accounted for forty percent of planes shot down in World War II. In war, a soldier’s behavior is also affected by the fact that whether he has to kill anyone. A person is more willing to face risks if he does not have to kill anyone. Best example in this regards are the medical corps people. Now, let us understand what happens when the enemy decides to run away. The best way to explain it is by drawing a corollary again with the animal world. What happens when you try to run away from a dog? It will run behind you, catch you and bite you. This may even result in your death. In the same way, to run away from an enemy who is on an adrenaline rush is like signing your death warrant. This is the reason behind retreating forces suffering higher number of causalities. The Decision to Kill This is the hardest decision every fighting man has to take on the battlefield. This decision is influenced by many factors. Every soldier who is shooting may not be trying to kill his opponent. He might fire on order. But it is difficult to ascertain whether he is trying to kill. Case in point being 1:52000 rounds ratio which I talked about in the Vietnam War. A majority of people will hesitate before killing another human being, unlike what is portrayed in the movies. They will do it only when they are pushed to the corner and this affects them psychologically in a big way. The Distance. A major factor which affects the decision whether to kill is the distance between a soldier and his enemy. The distance can be broadly classified into two physical distance and emotional distance. Emotional Distance. Emotional distance has nothing to do with the physical distance between a soldier and his enemy. He can kill his opponent at closer ranges provided he is able to achieve some sort of emotional distance from the enemy. Moral Distance. Moral distance considers that the enemy is wrong in his morals and ethics. Social Distance. A fighting man uses social distance to kill an opponent he considers socially inferior to him. Mechanical distance. Mechanical distance comes into play when the enemy is not seen by one’s own eyes. He is seen though a mechanical medium. It could be a screen, a display or a scope. Therefore the trauma of seeing the target as a real human is avoided. The presence of an officer does wonders to a soldier’s willingness to kill an enemy. Other factors which contribute are the want of revenge, hatred or mortal fear. However, studies show that the most important factor which propels a soldier to shoot and kill his enemy is the feeling that if he doesn’t kill, he will let down his comrades. THE EFFECTS ON THE FIGHTING MAN Psychiatric Casualties It has been proven that the longer a soldier is exposed to combat situations, the more are the chances that he will become a psychiatric casualty. Now, what is a psychiatric casualty? He can be defined as any militarily ineffective soldier in whom the predominant factors producing ineffectiveness are of psychological as opposed to physical or neuropsychiatric origin. How long does it take for an average soldier to become a psychiatric casualty? Roy Swank and Walter Marchand, both US Army doctors conducted a study[2] during world war II and came out with a result that 98% of all surviving soldiers will become psychatirc casualties after sixty days of continuous combat. The remaining 2% were already identified with having aggressive psychopath tendencies. So to put it in lighter vein, a combat unit goes completely crazy at the end of sixty days. Manifestations of Psychiatric Casualties The effects of being a psychiatric casualty can be of varied forms. It may also affect different individuals at different degrees. This in no way means that the mental stability of an individual is lost and he is no more capable of fighting. In most cases a window of proper rest away from the frontline will help in alleviating combat stress. Fatigue. The first and foremost manifestation of combat stress from a prolonged battle is Fatigue. It is nothing but the soldier being tired and is in no mood to do anything. Confusional State. If the fatigue is not checked in time, a psychiatric casualty can reach Confusional State. In simple terms, a person is ‘lost’. Ganser Syndrome. If a soldier does not slip into Confusional state, he may be affected by something called Ganser syndrome[3]. In this, he starts avoiding fear by substituting it with humour. Conversion Hysteria. A severe form of Confusional state is called Conversion Hysteria. It can happen while the combat is own or it may surface years later. A psychiatric casualty suffering from Conversion Hysteria looses touch with reality. He cannot distinguish potential dangers. He becomes insensitive to his own security. He may just wander into minefields or enemy fire. Anxiety Disorders Continuous state of anxiety during combat creates havoc in a soldier’s sleep. He feels that he is always tired irrespective of the amount of rest or sleep he gets. He starts getting nightmares and can also be obsessed with death. He doubts his ability and starts suspecting that he is coward and may fail his colleagues. The symptoms of increased anxiety states are breathlessness, blurred vision, tremors, temporary paralysis and fainting. Post Traumatic Stress Disorder (PTSD). PTSD is another effect which can be caused by anxiety. A soldiers blood pressure may increase radically even years after his combat experience causing profuse sweating and nervousness. Obsessive Compulsive Disorders (OCD). Anxiety can also cause OCD. The behavioural pattern of soldiers with OCD are similar to that of those suffering from Conversion Hysteria. The major difference is that he is aware of his surroundings and actions. Character Disorders. Anxiety can also cause Character Disorders in a soldier. A soldier becomes obsessed with particular actions or objects. This may result in him being paranoid about his personal safety. SOLUTIONS What are the possible solutions to these issues? First and foremost will be proper training and indoctrination. It definitely needs to be sufficient to ensure that it if not prevents, at least delays the onset of combat stress. The next step should be to identify potential psychiatric casualties as early as possible. Presence of trained counselors and psychiatrists are also essential to ensure that these potential cases do not develop into full blown psychiatric casualties. Units need to be rotated at the front on a regular basis. A ‘crazy’ unit at the end of sixty days of combat duty is not only detrimental to themselves, they are dangerous to the nation too. The final solution remains that of damage control. A psychiatric casualty should be addressed clinically. There should be counsellers at the rear to take care of potential cases. CONCLUSION The aim was not to question the capability or motivation of soldiers. It was to bring to light that every armed force today is treading on thin ice as far as the well being of the soldiers is concerned. Psychiatric casualties may take out a good part of a force, maybe more than what will fall prey to enemy bullets. Therefore, it is essential to pay attention the psychology of a fighting man, to realise what drives him, what holds him back and what other than mortal wound will take him out of the equation in a battlefield. BIBLIOGRAPHY 1. Grossman, Dave â€Å"On Killing: The Psychological Cost of Learning to Kill in War and Society†. New York; Backbay Books, 1996. 2. Bray, Charles W. â€Å"Psychology and Military Proficiency†. New Jersey; Princeton University Press, 1969. 3. Watson, Peter â€Å"War on the Mind†. London; Hutchinson and Company (Publishers) Ltd, 1978. [1] Collins, Randall â€Å"Violence: A Micro-sociological Theory† Princeton University Press, 2008, pp. 58 [2] Swank, Roy L., and Marchand, Walter E. Combat Neuroses: Development of Combat Exhaustion, Archives of . Neurology and Psychiatry, American Medical Association, Chicago, IL, USA. vol. 55, 1946, pp. 236-247. [3] http://www.ncbi.nlm.nih.gov/pubmed/20703401 accessed on 02 Aug 13

Wednesday, November 13, 2019

Kurt Vonnegut :: essays research papers

Kurt Vonnegut   Ã‚  Ã‚  Ã‚  Ã‚  Kurt Vonnegut is an impressive author who combines comic fiction and social satire in his novels. He often writes about the main character Kilgore Trout, who seems to be more like Vonnegut’s alter ego. He has written many books including Player Piano, Cat’s Cradle, Slaughterhouse Five, Galapagos, Bluebeard, and Fates Worse Than Death.   Ã‚  Ã‚  Ã‚  Ã‚  Kurt Vonnegut was born November 11, 1922 in Indianapolis Indiana. His parents were Kurt Vonnegut Sr. and Edith Leiber. He graduated from Shortridge High School in Indianapolis where he was editor of the school newspaper. After graduation in 1940, he moved on to Cornell University in Ithaca, New York where he took classes for biochemistry. In 1942, he enlisted in the army as an Infantry Battalion Scout. Later he was trained by Carnegie Institute and University of Tennessee to become a mechanical engineer. In 1944, Kurt’s mother committed suicide on May 14. He returns home briefly, then was captured in the Battle of the Bulge. While working in a factory in Dresden, Germany, Vonnegut picked up his materials for Slaughterhouse Five. After this he married Jane Mary Cox on September 1, 1945. Working as a police reporter, he studied Anthropology at the University of Chicago, but his thesis was rejected. In 1947, his son Mark was born, later, in 1949 his daughter E dith. He then became a publicist for General Electric in Schenectady, New York, but in 1950 he quit GE, and moved to Cape Cod to write. He published Player Piano in 1952. His third child, Nanette was born in 1954. Between 1954 and 1956 he taught English at Hopefield school, worked for an ad agency, and opened the very first Saab dealership in the great United States. Next, Kurt was rocked with a number of close deaths. His father passed away in 1957 on October 1, his sister and his brother-in-law die in 1958. He then adopted his three oldest nieces and nephews. Kurt still found time to write and Cat’s Cradle was published in 1962. From 1965 to 1967, he took up a residency at University of Iowa Writer’s Workshop and published Pearls Before Swine. Vonnegut wanted a closer look in Dresden before he wrote the novel Slaughterhouse Five, to he went back to Dresden on a Guggenheim Fellowship. He finished the novel in 1969. His education was furthered after he taught creative writing at Harvard and received his master’s degree from University of Chicago for Cat’s Cradle.

Monday, November 11, 2019

Micro Econ

Describe the efficient market hypothesis and give a piece of evidence consistent with this theory. Markets operate efficiently when resources are fully employed and output is produced at lowest possible costs at quantities that correspond to rational consumer behavior. Market efficiency involves both productive and allocative efficiency.Productive efficiency is concerned with quantity of goods and services produced. It is achieved when it is impossible to increase output of one type of product without reducing the output of another product i.e. all resources are fully employed and the economy is operating on its production possibility curve. Allocative efficiency is achieved when the resources are allocated in the right proportions to produce different goods and services to give a product mix that reflects consumers’ preferences. (Grant, 2003)The term ‘efficient’ as used by economists simply means, ‘If price and quantity take anything other than their equili brium values, a transaction that will make at least some people better off without harming others can always be found.’(Frank and Bernanke, 2001)   This is known as Pareto efficiency, named after the Italian economist, Vilfredo Pareto. It is a state whereby there is no way of making one party in a market better off without making the other party worse off. It is achieved when productive and allocative efficiency interacts.An efficient transaction creates an economic surplus. If a product sells below the market equilibrium price, it is not efficient.2. The cleaning service firm Clean All plc increased its workers wages by 4% and it experienced an increase in its profits. How can this have happened?Increasing wages boosts workers’ productivity. Workers are also tempted to work for longer hours which also increase productivity. This results in higher profits and labor turnover is also significantly lowered. Even though wages are higher, the firm may not have significant ly higher labor costs per unit of output.An employer’s reservation price for a worker is the most the employer could pay without suffering a decline in profit. In a perfectly competitive labor market, this price is the value of worker’s marginal product (VMP).A worker’s marginal product is the extra output the firm gets as a result of hiring that worker. Value marginal product is the net contribution the worker makes to the employer’s revenue i.e. result of multiplying the worker’s marginal product by the net price for which each unit of product sells.By reason of the law of diminishing returns, we know that the marginal product of labor, hence VMP, declines in the short run as the quantity of labor rises.The individual employer’s demand curve for labor, in this case Clean All plc may be shown as downward sloping function of wage rate. The supply curve of labor for any particular occupation is upward sloping.3) Does on increase in saving lea d to a higher standard of living? Why? Might a politician prefer not to try to introduce resources increase at the rate of saving?Yes, savings lead to higher standard of living. Savings are that part of current income that is not spent on current needs .Higher rates of saving today leads to faster accumulation of wealth and the wealthier an economic unit is (e.g. household or nation) the higher its standard of living in the future.Savings are mostly employed in financial investments e.g. government bonds or shares of stock in a corporation. These pay returns in form of interest payments, dividends or capital gains High returns are desirable of course   because the higher the return the faster ones savings grow.The rate of return most relevant is savings decision is the real interest rate i.e. the rate at which the real purchasing power of a financial asset increases over time .it is the market nominal interest rate minus the inflation rate. The real interest rate is relevant to sa vers because it is reward for savings. Empirical evidence suggests that higher real interest rates lead to increases in savings (Frank and Benanke, 2001).Politicians tend to benefit e.g. by gaining political mileage when the economy is favorable, thus they tend to exert a strong bias toward expansionary policy. What prevents politicians from implementing the expansionary policies is inflation at least to fear of generating on acceleration inflation. Inflation is a continuous rise in price level measured with price indexes. If money supply rises the price level will also rise. Inflation does not promote a favorable political environment.ReferencesBernanke, B. and Frank, R. (2001): Principles of Economics .New York: McGraw-HillColander, D.C (2001): Economics, New York: McGraw Hill Companies.Eaton, B., Diane F. and Douglas W. (2002): Microeconomics.5th Edition: New York,Prentice HallMankiw, N. (2000): Principles of Microeconomics. London, South-Western PubPrentice Ha Grant, S. J. (2003 ): Stan Lake’s Introduction Economics, 7th Edition. Harlow:Pearson’s Education ltdRuffin, R. and Paul R. (2000): Principles of Microeconomics. New York, AddisonWesley

Saturday, November 9, 2019

Closely analyse the poems ‘Sacifice’ by Taufiq Rafat and ‘Out, Out’ by Robert Frost

In preparation for this essay I read and analysed a series of poems. Some of these poems include ‘Tich Miller' by Wendy Cope and ‘City Jungle' by Pie Corbett. For the main part of the essay I read the two poems ‘Sacifice' by Taufiq Rafat and ‘Out, Out' by Robert Frost and found out, about the two different cultures. ‘Sacifice' is about a goat being sacrificed when they are laying the foundations of a friend's house, where as ‘Out, Out' is about a boy having his hand chopped off by a buzz saw. In class, as a group we took down notes about the two poems. I will now individually show my understanding of the two poems and write an analysis for them both. I will now analyse ‘Sacrifice' by Taufiq Rafat. The poem is about laying the foundations of a house. To do this they have to perform a ritual. The ritual is that the owner of the house has to sacrifice a goat. In the first stanza we can see that the poet feels empathy for the goat as it says ‘I can feel its point on my throat'. It is suggesting that he has taken the persona of the goat and feels what it feels. This stanza is almost out of order, as the poet Rafat could have put line five ‘We are laying the foundations of a friend's house' as his first line. He could have done this deliberately because he wants to create effect and to catch the reader's attention by having a strong first stanza with language like ‘geysers'. You can tell by the language of the poem that the person who is performing the sacrifice is disturbed and doesn't want to kill the goat as it says ‘A hot sticky sweat breaks out on my body'. This line in the poem stands out for me because it creates a strong image in my mind and tells me exactly how he is felling towards the sacrifice. In the next stanza we find out that there is a group of people that are involved in laying the foundations of a friend's house, as the sentence starts with ‘We are laying the foundations of a friend's house'. By the words ‘a brief prayer' and ‘we stand in a tight circle' you can tell that the culture of the poem is a religious one and that they are also a close community by them all involved in a ritual also by them all laying the foundations of a friend's house. The line ‘The heat, and the smell of blood make me dizzy' tells you how this sacrifice is making him feel and once again it shows that he thinks this is uncivilized. I think that when it says the goat has a ‘civilized and patient look' it makes me feel that the goat doesn't deserve what is about to happen to it and they are going to kill it when he doesn't expect it. In the next stanza they are now performing the sacrifice of the goat. When the poet writes ‘Part of the ritual that it is his hand only' it tells you that the person who has to kill the goat is the one who is having his house blessed. In the line ‘How keenly it cuts! ‘ the poet Rafat is showing that the goat cuts easily and that it is almost like the knife wants to kill the goat. I think that the explanation mark at the end shows the shock and the response of the poet. When the poet writes ‘The movement is a little unsteady' this stands out for me because as well as him being nervous I would be too if I had to kill any animal. Also I think it is ironic that by him being nervous, because he doesn't want to hurt the goat, he is actually causing the goat to feel more pain by not being steady. The word ‘butchering' makes this sacrifice feel more unpleasant because butcher means they kill. ‘Four calloused hands imprison my jerking legs' this tells us that they are working class people because calloused hands suggests that people work with their hands. Also by saying that the hands are calloused, which means harden, it could suggest that they have hard emotions to this sacrifice. Also with the words ‘jerking legs' the poet is taken on the persona and empathy of the goat. In the next stanza they have killed the goat and are now burying it. When Rafat writes ‘the children are fascinated by the tableau' he is saying that the children might want to do this in the future and suggests that this culture could be passed through generations. The goat is forgotten about forever when it says ‘Two spadefuls of dirt will cover me up forever' I feel that it is sad that some people would just kill an animal for their culture and just forget about it afterwards. When Rafat says ‘a white-bearded man chants something holly' it is coming back to the idea that their community is a religious community. At the end of the sentence we can tell that this sacrifice is recent by the words ‘the cameras click' it also suggests that to some this is a celebration but as you read the last stanza the poet has another opinion. The poet Rafat writes ‘we are not laying the foundations of a house, but another Dachau. ‘ The language he is using is very strong at the end. As I read this last stanza it made me think that when he used the word Dachau that means Concentration Camp or even a Death Camp he clearly shows that he disapproves to the whole sacrifice as I would but he also makes it clear that people have different opinions and feelings, to this. Over all I think that Rafat makes it clear you can't change the way people feel, this may be because of there religion or culture. I will now analyse ‘Out, Out' by Robert Frost. The poem ‘Out, Out' is about a young boy who is working in a factory in Vermont. As the poem goes on we find out that a buzz saw the boy was working with chops off his hand. In the first line the poet Frost writes ‘The buzz saw snarled' this suggest that by the word snarled there is danger to come. Also personification is used by ‘buzz saw'. The poet suddenly changers the tone of the poem by using the words ‘sweet-scented' and also saying in line five about the ‘Five Mountain Ranges' and ‘Under the sunset into Vermont'. I think that personally this was very clever because the poet has brought the scene alive and goes on to set a pleasant scene with the Mountain Ranges in Vermont. He also tells us a bit about the culture. He does this by mentioning the Mountains, which tell us that this is an isolated community. In line seven the poet has once again changed the tone of the poem by coming back to the saw. In this line he has used repetition by repeating the words ‘Snarled and Ratted'. He explains why the buzz saw was snarling and rattling in the next line by saying ‘As it ran light, or had to bear a load'. When the poet writes ‘and nothing happened: day was all but done'. This Suggest to the reader that it is just a normal day and that nothing special was going to happen. I found this clever because it is misleading. In the next line the poet shows a bit of emotion by saying ‘call it a day, I wish they might have said'. By using the words ‘I wish' it makes you think that something bad may happen to him. To please the boy' the poet writes in the next line. This is the first time the poet introduces him as just a boy. This suggests that as apart of their culture they get young children to work. I disagree with this because I think that young children are not as experienced with using dangerous equipment such as a buzz saw and something could happen to them if they are not careful and could get hurt. The poet goes on to introduce his sister in line thirteen ‘His sister stood beside them in her apron'. As the poet does this it could suggest that as a part of their culture, families work together. Frost also writes that the sisters tell the rest of the workers it's supper ‘To tell them ‘Supper†. This could suggest that the poet has given them traditional roles for the genders. This is that the men have to do the work and the women have to cook. My response to this is that I disagree because it is sexism and I think that is wrong. In the next couple of lines Frost describes how the buzz saw cuts the boys hand off because he is not paying attention and gets distracted by his sister saying to word ‘Super' and loses his concentration. Frost writes just after the word ‘Super' that ‘the saw, As if to prove saws knew what supper meant, leaped out at the boy's hand' it is as if the saw decides to eat by hearing the hearing the word supper so he users personification. He explains that ‘he must have given the hand' and that the boy couldn't pull away in time. ‘But the hand! ‘ the poet writes, which means that he is in shock and dismay by the exclamation mark at the end. By his hand getting chopped off it tells as that it is very physical, manual, dangerous work they do. The boy's first outcry was a rueful laugh'. This suggests that he doesn't really realise what has happened to him. By the poet using the word ‘rueful' it tells us again that he is in shock and doesn't believe it. Frost writes in line twenty ‘as he swung toward them holding up the hand, Half in appeal' this could mean that the boy has reacted different to his hand being chopped off. This is because at first he was in shock and then he was looking for help by swinging towards them. The poet then writes ‘but half as if to keep the life from spilling'. This could refer to the title ‘Out, Out' because as the blood is spilling out of him it is also like the life is spilling and going out of his body as well. The boy's final reaction is when it says ‘then the boy saw all' this suggests that he knows that he is going to either be disabled or even die. The poet writes how the boy has now become a teenager by using the words ‘big boy doing a man's work' even though the boy is a ‘child at heart'. In the next few lines it tells us that the boy has lost his hand and that he has even lost his life. At first the poet brings the boy alive by using speech and getting him to say ‘Don't let him cut my hand off'. The poet now changers the whole pace of the poem by just having the word ‘So' by itself. This suggests the finality of the poem. ‘But the hand was gone already'. This means that despite what he wants it doesn't matter because the hand was gone and it couldn't have been used again. In the next sentence we find out that their medical provision is quite basic because it says ‘the doctor put him in the dark of ether'. The ether is for the boy to cope with the pain. The boy ‘lay and puffed his lips out with his breath'. I think this was sad because we know that he is going to die and that could have been his last breath, but it still suggests that there is life still there. ‘And then-the watcher at his pulse took fright'. This just means that the fright caused his pulse to go down. Also the hyphen could suggest a dramatic pause. His life is slowly going away from him now when Frost writes ‘Little-less-nothing! I think that the exclamation mark means the end and it goes on to say he has died ‘and that ended it'. My response to the end of the poem is a one of disbelieve. This is because the poet writes ‘Since they were not the one dead, turned to their affairs'. I personally find this hard to believe that their culture is quite hard hearted and that they think death and danger is a normal part of life. I don't know how some people would just carry on with their lives ins tantly and think it was just another death. This poem must be quite old because of the whole attitude towards death has changed. This is not like ‘Sacifice' because that was quite recent because of the ‘Cameras'. I will now write about the similarities and differences between the two poems and compare them both. I will start off with some of the similarities between ‘Sacifice' and ‘Out, Out'. The first thing I have notice between the two was that they both have quite a sad, and depressing tone towards them. This is because they are both about death. Also in both of the poems the characters take the deaths quite lightly e. . in ‘Sacrifice' they just forget about the goat ‘Two spadefuls of dirt will cover me up forever' and in ‘Out, Out' they feel that it is just another death ‘Since they were not the one dead, turned to their affairs'. Another similarity is that the poet, or the voice of the poem, does not appear to share the views of the communities described. This is because in ‘Sacrifice' the poet does not want to kill the goat but community does and in ‘Out, Out' the boy does not want to carry on working ‘Call it a day, I wish they might have sad'. They both tell a story and they create a serious tone because they are in blank verse. As they are in blank verse it sounds like someone is telling a story. The last similarity I found is that they both give insights into the cultures in which they are set. Also they imply criticism of the aspect of the culture they are describing. For example in ‘Out, Out' one criticism is that a young boy like him should not be working at such a young age but it is apart of their culture to do so. An example of a criticism in ‘Sacrifice' is that they should not kill the goat but they do so because it is apart of their culture. Now I will describe some of the differences between the two poems. The main difference would have to be that ‘Out, Out' is about a human where as ‘Sacrifice' is about an animal. They both describe different cultures. For example ‘Sacrifice' is a religious community and ‘Out, Out' isn't. I found that one difference was that ‘Sacrifice' includes empathy with the goat, where as ‘Out, Out' just describes what happens. Also ‘Sacrifice' is divided into stanzas and is in clear sections, where as ‘Out, Out' is not in stanzas and just flows chronologically through the story. Another difference would have to be that the poet in ‘Sacrifice' is more involved where as in ‘Out, Out' the poet is more of an observer. The last difference I can think of is that the death of the boy was an accident where as the death of the goat was on purpose. Overall I found that ‘Sacrifice' by Taufiq Rafat was very sad because I don't think it was right for them to go ahead with the ritual sacrifice of the goat just because they are laying the foundations of a house. The only decent and respectful bit towards the goat was from the poet himself. He doesn't think this was right either and at least his heart is in the right place. He lets us know from the very beginning that his real sympathies are with the goat: ‘As he moves the knife across the neck of the goat I can feel its point on my throat'. But Rafat's sympathy isn't much use to the goat. This is because if he has his doubts about the ceremony and he knows he is going to sacrifice the goat, I don't get why he is there in the first place if he doesn't want to kill the goat. Apart from this I found it a very interesting poem to read. For ‘Out, Out' by Robert Frost I felt that it is a tragedy that a young boy who lives in a rural area, is propelled to work longs days, doing a job that is fit for a man and that he is doing this instead of spending the days as a youth. When Frost writes ‘Call it a day, I wish they might have said, to please the boy by giving him the half hour that a boy counts so much when saved from work' I felt that not only do these lines inform us that the boy wished he did not have to work but it also reflects a sense of regret on the bystanders part. It proposes the fact that if they had finished up early, or even not made this young boy do a job fit for his superior then his death may have never occurred. I found this part particularly important to me because if they had done the right thing and not gave him this job he could have still been alive! I liked the fact that Frost uses particular techniques such as, personification, repetition, onomatopoeia, and word structure, which produced a precise rhythm to the poem. Another bit of this poem I liked is that throughout the poem the buzz saw is personified and is given human and animal like qualities. And the saw snared and rattled, snarled and rattled as it ran light or had to bear a load'. This I found suggests that the saw is in fact some kind of creature, which may posses more power than the boy. To some up I think that Frost's ideas of life and death, the harshness of life's demands, and how he shows personal interest in the way in which individuals deal with life's issues su ch as death are clearly reflected in the poem ‘Out, Out'. I think that this was a great poem to read.

Wednesday, November 6, 2019

What an Average Essay Writing Service Can Do for You

What an Average Essay Writing Service Can Do for You What an Average Essay Writing Service Can Do for You As a student, there are many more reasons to use an essay writing service beyond the quintessential plagiarism schemes where students pay a writer to produce a model paper for them. While this is certainly something possible, it is just the tip of the iceberg. Using an essay writing service you can get: Model Paper (Obviously) Of course the first thing people think of is getting a model paper on their topic or type of an essay so that they can use that as an example. This is great because it often offers ideas for structure and for references students might want, which can cut down on research time. Proofread/Edited Essay One of the best reasons for working with a service is that they can edit or proofread content you produce. You can make sure you have citations properly formatted in APA or that your tenses remain the same throughout the text by working with a professional. You can avoid being marked down severely by doing this. Topic Ideas for Academic Papers If you are struggling to come up with a topic for your assignment, you can look to writing companies for lists of potential ideas. Tips on How to Improve the Style and Content With each draft of a paper you want to submit, an editor can look over your content for issues with style and content, helping you to ensure the first narrative essay you write or the first compare and contrast essay you produce is great and on point. This is a wonderful tool for students who are trying to complete an essay they have never done before. Constructive Criticism It can be difficult to get the constructive criticism you need from your teacher or from your classmates, especially if you only turn in your paper to your teacher and only receive a quick grade. If you use a writing service, they can give you the constructive criticism you need to make sure your final draft is perfect. This is great when you are working through a long term project. Tips on How Your English Must Be Improved You can submit drafts of work you have done or provide a portfolio of your recent work to a writing service. After this, they can review your work and give you tips on what things you should work to improve. This is great for second language learners. You might not realize that indefinite articles or past tense are problematic or that you have issues with them in each paper you write. But a writing service can review your work and highlight what areas you might want to improve for next time. Again, an essay writing service can provide you with many forms of assistance as a student. You should not be so quick to judge what they have to provide especially when you will face many types of tasks as a student.

Monday, November 4, 2019

What causes recessions Essay Example | Topics and Well Written Essays - 750 words - 1

What causes recessions - Essay Example By definition, a recession refers to a two or more consecutive quarters of a general decline in economic activity [gross domestic product] (Gwartney, Stroup, Sobel and Macpherson 171). Generally a precursor of a depression, a recession is comparatively less severe but with almost similar dramatic economic effects.   While the numerous past recessions appear unique in terms of origin, all are preceded by the Greenspan’s irrational exuberance that unduly escalates asset values (5). To be sure, there is no one single cause of a recession (Simpson 12-13). Economists are in agreement that while a significant event in a particular sector with notable economic effects may be a trigger, a number of factors often come into play to magnify economic contraction into a visible catastrophe. Accordingly, the causes are categorized into two: the demand side shocks that hit one or various components of the aggregate demand [AD] and the supply-side shocks that affect the short-run aggregate supply, inflation [through cost push], investments and business profits. According to the demand side economics, a recession can be triggered by one or a combination of: an economic slump of a major trading partner, which may be a country or region/an economic block [such as the EU]; a credit crunch driven by the inab ility of the financial institutions to meet lending requirements of households and businesses or conscious cutting back of credit through abnormally raised interest rates on loans; a sharp fall or total collapse of crucial asset prices [such as property prices]; and a trade imbalance prompted by an abnormal appreciation of the exchange rate (Tatom 2). On the other hand, the supply recession-causing shocks include: increasing international oil prices that subsequently translate into increased cost of production [through the oil costs

Saturday, November 2, 2019

Morality and the Media Essay Example | Topics and Well Written Essays - 500 words

Morality and the Media - Essay Example In other words, just as Thomas Jefferson said, the price of freedom is eternal vigilance. The question is who gets to be in the place of the watchman. In Victor Clines essay, he approaches the topic of free speech in media, even when it crosses lines which are traditionally held by moral peoples, in a manner that attempts to strip the moral issues from the essential freedom of speech. Cline approaches the issue of free speech within the media, and the question of setting boundaries on this free speech when it crosses these accepted moral limits, as if the people themselves set the moral boundaries within which they define acceptability. The argument insists that if one group of people feels that this particular expression of pornography or violence is morally wrong, and therefore should warrant censorship, then another group should be able to choose that the same expression is acceptable, and allowable within the boundaries of free speech. And so the argument continues. Media producers have, in my opinion, been allowed to hide behind the veil of free speech by court decisions which have attempted to approach a moral issue from an amoral framework.